


Veil Between
Veil Between, 2025
Alcohol ink on Yupo paper; protected with UV archival varnish against fading.
11 × 14 inches
Veil Between evokes a quiet moment suspended between waking and dreaming. Delicate washes of lavender-gray and golden cream unfold like breath on glass, suggesting an ephemeral boundary—something soft, unseen, yet deeply felt. The piece feels like a meditation on impermanence, where form dissolves into atmosphere. Gentle gradients whisper across the surface, giving a sense of stillness and depth, as if we’re peering through mist at the edge of memory. Veil Between doesn't demand attention—it beckons with subtlety, inviting viewers to linger in the in-between.
Veil Between, 2025
Alcohol ink on Yupo paper; protected with UV archival varnish against fading.
11 × 14 inches
Veil Between evokes a quiet moment suspended between waking and dreaming. Delicate washes of lavender-gray and golden cream unfold like breath on glass, suggesting an ephemeral boundary—something soft, unseen, yet deeply felt. The piece feels like a meditation on impermanence, where form dissolves into atmosphere. Gentle gradients whisper across the surface, giving a sense of stillness and depth, as if we’re peering through mist at the edge of memory. Veil Between doesn't demand attention—it beckons with subtlety, inviting viewers to linger in the in-between.
Veil Between, 2025
Alcohol ink on Yupo paper; protected with UV archival varnish against fading.
11 × 14 inches
Veil Between evokes a quiet moment suspended between waking and dreaming. Delicate washes of lavender-gray and golden cream unfold like breath on glass, suggesting an ephemeral boundary—something soft, unseen, yet deeply felt. The piece feels like a meditation on impermanence, where form dissolves into atmosphere. Gentle gradients whisper across the surface, giving a sense of stillness and depth, as if we’re peering through mist at the edge of memory. Veil Between doesn't demand attention—it beckons with subtlety, inviting viewers to linger in the in-between.
